January 26, 2012
funcomfortable funcomfortable funcomfortable funcomfortable funcomfortable funcomfortable funcomfortable funcomfortable funcomfortable funcomfortable funcomfortable funcomfortable funcomfortable funcomfortable funcomfortable 

funcomfortable funcomfortable funcomfortable funcomfortable funcomfortable funcomfortable funcomfortable funcomfortable funcomfortable funcomfortable funcomfortable funcomfortable funcomfortable funcomfortable funcomfortable 

January 25, 2012
danchaon:

From the story “The Farm, The Gold, The Lily-White Hands,”  forthcoming in Stay Awake by Dan Chaon
In the basement of Sydney’s new house is a little room that is about the size and shape of a coffin.  Sydney and her husband discover it a few days after they have moved in.  There is an old, heavy door that they hadn’t noticed when they were touring the house with the realtor.  There is a door knob, and one of those iconic keyholes like in cartoons, with a real skeleton key in it!  They unlock it.  
              Behind the door is a space just big enough for a little man to stand in.  The walls are cement and plaster, the corners are curved rather than straight.  It smells like a cave.   
            “I think this is possibly the creepiest thing I’ve ever seen,” Sydney’s husband says, and Sydney looks at him sternly.      
            “It’s a closet,” Sydney says.   
            “No it’s not a closet,” her husband says.  “There’s nothing to hang things on.”
            “Maybe it’s a fruit cellar,” Sydney says.  “They probably kept their sacks of potatoes in there.  To keep them cool.”    
            It is cool in there, her husband concedes.  “It’s like something you’d store a dead body in,” her husband says.  “That’s what it’s like.”   
            Sydney sighs.   “Look,” she says.  “This was a great bargain.  I hope you’re not planning on getting into one of your superstitious things.”     
            “I’m not,” her husband says.  “I’m just speaking metaphorically.”  And they both glance over to where the washer and dryer are lined up, mute, open-mouthed, on the opposite wall.  They will have to have their exposed backs to this dreadful coffin-door every time they put a load of clothes into one of the machines, they are both realizing.   
               Metaphorically.  And she has an uncomfortable flicker, a little thought that swallows itself before it actually makes it to the forefront of her mind “in the farmer’s basement was a little room where he kept his gold”  she thinks briefly, a line from a story she read once as a child.  Her mouth hardens.  
 Metaphorical.  And she watches her husband turn the key in the lock of the coffin-like door.       
Metaphorical for what?    

danchaon:

From the story “The Farm, The Gold, The Lily-White Hands,”  forthcoming in Stay Awake by Dan Chaon

In the basement of Sydney’s new house is a little room that is about the size and shape of a coffin.  Sydney and her husband discover it a few days after they have moved in.  There is an old, heavy door that they hadn’t noticed when they were touring the house with the realtor.  There is a door knob, and one of those iconic keyholes like in cartoons, with a real skeleton key in it!  They unlock it. 

              Behind the door is a space just big enough for a little man to stand in.  The walls are cement and plaster, the corners are curved rather than straight.  It smells like a cave.  

            “I think this is possibly the creepiest thing I’ve ever seen,” Sydney’s husband says, and Sydney looks at him sternly.     

            “It’s a closet,” Sydney says.  

            “No it’s not a closet,” her husband says.  “There’s nothing to hang things on.”

            “Maybe it’s a fruit cellar,” Sydney says.  “They probably kept their sacks of potatoes in there.  To keep them cool.”   

            It is cool in there, her husband concedes.  “It’s like something you’d store a dead body in,” her husband says.  “That’s what it’s like.”  

            Sydney sighs.   “Look,” she says.  “This was a great bargain.  I hope you’re not planning on getting into one of your superstitious things.”    

            “I’m not,” her husband says.  “I’m just speaking metaphorically.”  And they both glance over to where the washer and dryer are lined up, mute, open-mouthed, on the opposite wall.  They will have to have their exposed backs to this dreadful coffin-door every time they put a load of clothes into one of the machines, they are both realizing.  

               Metaphorically.  And she has an uncomfortable flicker, a little thought that swallows itself before it actually makes it to the forefront of her mind “in the farmer’s basement was a little room where he kept his gold”  she thinks briefly, a line from a story she read once as a child.  Her mouth hardens. 

 Metaphorical.  And she watches her husband turn the key in the lock of the coffin-like door.      

Metaphorical for what?    

January 24, 2012

I’m moving!  I’ve lived in my current apartment for almost 3 years, almost exactly 3 years, I moved in February 2009.  That’s a long time to hate your carpet.  I hate my carpet so much that I made one of my characters in my novel hate her carpet just so I could vent all of my carpet hate.  I’m upgrading to hardwood floors.  I’ve sacrificed a dishwasher for hardwood floors and I’m not sorry.

January 19, 2012

strangemagnetism:

mixed footage from brian getnick’s project, MEMORIES - with me and corey fogel.  so real.

“Does nobody really have any ideas of things you were scared of when you were kids?”

Silence.

January 17, 2012
Attempting to medicate my problems

Attempting to medicate my problems

January 17, 2012
To be a music fan is to be on top of things; to be a reader of books is to be perpetually behind. When consuming media, time is relative; geologic time is something very different from the time it takes to back up the hard drive of my laptop, but both of them seem to take forever.
Catie Disabato for Full Stop

To be a music fan is to be on top of things; to be a reader of books is to be perpetually behind. When consuming media, time is relative; geologic time is something very different from the time it takes to back up the hard drive of my laptop, but both of them seem to take forever.

Catie Disabato for Full Stop

January 17, 2012

(Source: strangemagnetism)

January 16, 2012
Martin Luther King Jr. Day

goodbutter:

Thank you MLKJ for helping with the civil rights fight. Now that this has happened upon our country for 50 odd some years, I can hang out with my white boyfriend all day, go to the movies and sit in the same section, and kiss in public with minimal stares.

BIG UPS

January 13, 2012
"Staying in on a weekend night is prime time for exploratory masturbation with brand-new varieties of porn. If you can, get a little high, put on Warpaint or something, and trance yourself into liking new and different sex stuff than you did the day before. This is its own kind of success, and, yes, radically vulnerable."

Girls and Staying In (via helloscarecrow)

January 13, 2012
Juice

I have had a really hard time writing lately but let’s not call it “writer’s block” because I “don’t believe in” “writer’s block” - so suffice it to say, I missed a writing deadline on Monday and all week I’ve tried to catch up.  I spent all of Wednesday night trying.  I wrote one paragraph on five or six different topics, none of which bloomed into anything.  I read a Sherlock Holmes story in an attempt to write something about Sherlock, the TV show, but really I just tried to read a Sherlock Holmes story, in the bath, I didn’t make it to the end.

Earlier this week I decided I want to write reviews of cookbooks and I wanted to pitch that idea to my editors at Full Stop but I haven’t yet.  I want to write cookbook reviews because I find I have a lot of opinions about the ways that recipes are written, especially because very few recipe authors (?) seem to give me clear instructions on how high to have the heat on when I’m cooking something on the stove top, and what does it mean that I’ve become a person who has intense thoughts about how a recipe is written?

I think I’m getting a little bit of my juice back.

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